You know that Luther Vandross song that has the great bassline by Marcus Miller on it?
No, not that one. This one:
‘Never Too Much’ is one of the most famous examples of bass deity Marcus Miller’s extensive session work, with heavily syncopated slap lines that jump out of the mix and demand our attention. But there’s another less famous Miller/Vandross collaboration that once again sees Marcus’ thumb in full flight, providing tight staccato slap grooves peppered with high register fills.
The verse groove of ‘She’s A Super Lady’ alternates between a sparse ascending figure (a contraction of the main chorus groove) and more active fills outlining E minor:
Groove Of The Week #24: Luther Vandross – 'She's A Super Lady' #bass #bassist #bajo #bajista #basse #baixo #baixonatural #bassguitar #bassgram #instabass #instamusic #weplaybass #15secondcover #15secondgroove #bassgrooveoftheweek #fender #marcusmiller #aguilar #bassporn #bassplayer #slap #riffwarsbass
The flurry of notes half way through the verse is one of those fills that sounds harder than it actually is – pay close attention to the thumb/pop markings in the transcription and let your left hand do the bulk of the work. The real key to making fills like this work is having a strong thumb sound on the D string, which is a key component of Marcus’ sound and often overlooked.
A full transcription of ‘She’s A Super Lady’ can be downloaded HERE