Rhythmic Displacement Part 2: Snarky Puppy – ‘What About Me?’

One of the most popular posts on this blog is a transcription of a Meshuggah tune that features some interesting rhythmic displacement ideas. Here’s a transcription in a similar vein but from a more mainstream (and less angry) source, the heavily syncopated unison line in Snarky Puppy’s ‘What About Me?’:

The section I’ve written out comes at 45s into the track, and is featured again around the 5 minute mark:

Snarky Puppy - What About Me?

Just as in the Meshuggah transcription, the part here gets displaced when it repeats itself, creating an interesting rhythmic effect as the accented melody notes shift (compare bar 1 with bar 3).

This is a real test of your semiquaver rhythm reading abilities, but playing-wise most of the line is straightforward E minor pentatonic and falls under the fingers without too much trouble. The final run is worth taking your time over –  a minor pentatonic played in groups of 5 but phrased in semiquavers which has a strong Jaco influence to it.

Similar Posts

  • |

    Unorthodox Instructionals, Part 3: Getting Even With Drummers

    Louis Bellson’s ‘Modern Reading in 4/4 Time’ is a classic educational text for drummers. I was introduced to it by one of my tutors during my first term of music college as an accompaniment to the sight reading classes I was taking; prior to starting my music degree I’d grown up almost exclusively on TAB…

  • Groove Of The Week #33: Macklemore & Ryan Lewis – ‘Downtown’

    Simplicity is Complicated – Historical Perspective in The Age of Information – New Stuff Sometimes, the simplest ideas are the best. The bass line that underpins Macklemore’s non-threatening mainstream hip hop hit ‘Downtown’ is essentially nothing more than a trip around the minor pentatonic scale, but definitely gets the head nodding. The trick with this…

  • Ray Brown F Blues Transcription

    Ray Brown’s Half Position F Blues Here’s a great excerpt from an old video called ‘Ray Brown Presents the Art of Playing the Bass’. Ray is talking about the importance of foundational skills and having solid sound and time in half position: for non-upright players, that’s the area between the open string and the third…

  • 5 Wonder-ful Pentatonic Unisons

    Five of Stevie’s best 5-note lines Stevie Wonder’s vast body of work is rightly revered by musicians (and, indeed, non-musicians…) for its harmonic and melodic invention; Stevie has managed to seamlessly weave jazz-based ideas, such as chromaticism, extended chords, and tritone substitution into his tunes and still sell vast numbers of records. One of his…

  • Groove Of The Week #12: Muse – ‘Hysteria’

    Apologies that this post is somewhat late, things have been rather manic lately. Anyway, here’s last week’s Groove Of The Week video, which features Chris Wolstenholme’s amazing pedal point riff on Muse’s ‘Hysteria’. View this post on Instagram A post shared by Tom Kenrick (@tommykrizzle) This line is tricky for a number of reasons, particularly…

9 Comments

  1. Thanks so much for posting the transcription! Need to learn this for a gig and this will make it a lot easier.

  2. nice transcription! just to get this thing 100% correct:
    1. the final lick is actually g e f# E D ge b .. instead of g e f# D A ge b
    2. not so important but: the 7th note in bar 3 (the first of the two A’s) and the first note in bar 5 (E) are “phantom-notes”..I don’t think that they actually play them

    sorry for the pettifoggery, I just wanted to help to make this even better 😉
    //end of smart-arse-post 😉

    Greeting from Duesseldorf // ger

    1. Thanks for taking the time to comment on the post, Niklas!

      1. You’re absolutely right, I’ll edit the notation… this actually makes the lick easier to play!
      2. A fair point, let’s have them as ghost notes instead.
      3. Excellent use of ‘pettifoggery’
      4. As a diehard smart-arse I fully endorse people who take every opportunity to be smart-arses, particularly when they’re correcting my smart-arsery. Bravo.

  3. hi again izik balas
    if you more from snarky puppy
    i would to get it
    if needs to pay than no problem.
    thank you

    1. Hi Izik, there’s more Snarky Puppy on the way soon. Unfortunately, I don’t offer paid transcriptions at the moment.

    1. After much re-checking, I’m certain the phrase starts on 1 – there’s a cymbal hit right on the beat at 45 seconds in that happens at the same time as the first note of the riff.

  4. The timing between the bass and guitar is a bit imprecise there, but I think the last beat of the 5th bar is wrong: it should be the same as the last beat of the 1st bar.

Comments are closed.