One of the most popular posts on this blog is a transcription of a Meshuggah tune that features some interesting rhythmic displacement ideas. Here’s a transcription in a similar vein…
One of the most popular posts on this blog is a transcription of a Meshuggah tune that features some interesting rhythmic displacement ideas. Here’s a transcription in a similar vein but from a more mainstream (and less angry) source, the heavily syncopated unison line in Snarky Puppy’s ‘What About Me?’:
The section I’ve written out comes at 45s into the track, and is featured again around the 5 minute mark:
Just as in the Meshuggah transcription, the part here gets displaced when it repeats itself, creating an interesting rhythmic effect as the accented melody notes shift (compare bar 1 with bar 3).
This is a real test of your semiquaver rhythm reading abilities, but playing-wise most of the line is straightforward E minor pentatonic and falls under the fingers without too much trouble. The final run is worth taking your time over – a minor pentatonic played in groups of 5 but phrased in semiquavers which has a strong Jaco influence to it.