This week’s groove comes courtesy of the great British bassist John Paul Jones, whose part on Led Zeppelin’s ‘Ramble On’ provides a masterclass in writing a part that manages to…
This week’s groove comes courtesy of the great British bassist John Paul Jones, whose part on Led Zeppelin’s ‘Ramble On’ provides a masterclass in writing a part that manages to be melodic without diverting attention away from the rest of the band:
View this post on Instagram
Groove Of The Week #15: Led Zeppelin – 'Ramble On' #bass #baixo #bajo #basse #bassist #bassporn #bassplayer #baixonatural #basstheworld #rwbcover #bassgram #bassguitar #instabass #instagroove #bassgrooveoftheweek #allaboutthatbass #notreble #15secondgroove #15secondcover #pbass #4string #4strings #fender #flatwounds #aguilar #johnpauljones #instagood
JPJ’s high register line sits firmly in the key of E major, using slides and ghost notes to embellish his part. He varies the part slightly on each repetition, but the basic groove is shown here:
You can check out the original isolated bass part of ‘Ramble On’ below – hearing JPJ’s playing in isolation really demonstrates the huge influence of Motown and Stax recordings:
His tone is very Jamerson-esque, and the verse groove to ‘Ramble On’ reminds me of pioneering soul bassist Donald ‘Duck’ Dunn’s part on Eddie Floyd’s ‘Knock On Wood’, which was recorded 3 years before ‘Ramble On’:
Wherever JPJ got the inspiration, his bass work on ‘Ramble On’ (and many other Led Zep songs) gives us a wealth of material for study when it comes to supportive yet melodic bass playing.